painted Paradise in ca. 1620  Related Paintings of Jan Breughel :. | Village square | Virgin and Child with Infant St John in a Garland of Flowers | Paradise | Still Life of the Holy Kinship | Noli me tangere |
Related Artists:
Christopher Paudiss
German Baroque Era Painter, 1630-1666, was a Bavarian Baroque painter and a student of Rembrandt van Rijn. After working in Stuttgart (1656), Prague, Dresden (1659-60), Vienna and Salzburg, he stayed his last four years in Freising where he worked for Furstbischof Albrecht Sigismund von Bayern. He was married twice. His paintings and frescoes show dark pictures of everyday life.
COORTE, Adriaen
Dutch Baroque Era Painter, ca.1660-1707 Dutch painter. He painted mainly small still-lifes, but contrary to the contemporary fashion for increasingly complicated representations of flowers and fruit, he preferred to paint single objects arranged as simply as possible. Coorte's subjects were generally fruit or vegetables, sometimes shells and, more rarely, flowers or vanitas arrangements. These are generally arranged on a stone plinth or slab, often with a crack or groove on the front edge. In the larger paintings the composition is sometimes enclosed in a niche
Pagani, Gregorio
Italian, 1558-1605 Italian painter. He trained in the studio of the Late Mannerist Maso da San Friano, but then studied with the more progressive Santi di Tito. There he became friends with Ludovico Cigoli: the two artists, who desired to renew the art of painting, studied from nature and developed an interest in Venetian and Emilian art. Pagani was deeply influenced by Correggio. His earliest surviving works include the frescoes of the Confirmation of the Rule of St Dominic (c. 1580; Florence, S Maria Novella, Chiostro Grande) and the Meeting between SS Dominic and Francis (Florence, Convento dei Cappuccini di Monturghi). In 1592 he painted the Virgin and Saints (St Petersburg, Hermitage), a work that already reveals his interest in Correggio. In the same year he painted a Finding of the True Cross (untraced), a daring composition that is preserved in preparatory drawings. A number of works from the 1590s survive and show Pagani's interest in Emilian art; the Crucifixion and Saints (1595; Florence, S Bartolomeo in Pozzo) and the Virgin and Child with SS Michael the Archangel and Benedict (1595; Florence, S Michele Arcangelo Le Ville). At the turn of the century Pagani was increasingly associated with those Florentine artists who wished to develop a new narrative clarity and directness. His pictures (e.g. Pyramus and Thisbe; Florence, Uffizi) show figures carefully posed with varied expressions and gestures. In the early 17th century Pagani became yet more attracted by naturalism, as in the St Lawrence (1600) in the basilica of the Madonna delle Grazie at San Giovanni, Valdarno. Through his friendship with Bartolomeo Carducho he was influenced by Spanish art, as is evident in the Adoration of the Magi